Most people don’t associate the Bank of Thailand with a romantic weekend getaway. But right now, the most exclusive booking in Bangkok isn’t a trendy rooftop bar or a Michelin-starred restaurant— it's a 120-year-old palace hidden behind the security gate of the Bank of Thailand (BOT), on the banks of the Chao Phraya.
After a long hiatus for a meticulous restoration that started in 2018, Wang Bang Khun Phrom (Bang Khun Phrom Palace) reopened to the public on July 4, 2026. The catch: it’s open exclusively on weekends, with strictly capped tour sizes, so slots vanish online almost the second they’re released.
A fresco on the second-floor wall of Tamnak Somdet painted by Italian artist Carlo Rigoli.
A hidden European masterpiece on the Chao Phraya
Stepping onto the grounds, the sight of the yellow mansion feels like stepping back in time — a world away from the tightly guarded world just steps away.
Built in 1901 during the reign of King Rama V as the residence of Prince Paribatra Sukhumbhand, the palace is a testament to an era when Siamese royalty fell in love with Western design. Today it’s widely regarded as one of the most beautiful palaces in the Kingdom, renowned for its Western-inspired architecture spanning Neo-Baroque, Rococo and Art Nouveau styles.
Completed in 1906, the palace comprises two historically significant structures: Tamnak Yai, the prince’s residence, and Tamnak Somdet, the mansion of his mother, Queen Sukhumala Marasri. The Italian-designed Tamnak Yai showcases the finest Baroque and Rococo work of the era, while the river-facing Tamnak Somdet, built seven years later, reflects a German Art Nouveau influence.
Designed by German engineer Karl Döhring at the prince’s command for his mother, Tamnak Somdet greets visitors with a soaring ceiling in the main hall and a fine wooden spiral staircase. Its German-inspired structure was built for outstanding ventilation and natural light, and its decoration feels delicate and feminine — fitting for the mansion's owner.
Not to be missed is a fresco on the second-floor wall depicting a group of young girls, painted by Italian artist Carlo Rigoli, whose work also graces the famous Ananta Samakhom Throne Hall. The best vantage point to appreciate it is halfway down the staircase.
The recent renovation has breathed vibrant life back into the building: intricate stucco details, fresco murals and heavy gold leafing all sparkle anew under modern lighting.
A living room on the 2nd floor of Tamnak Somdet with outstanding ventilation and natural light.
Two mansions, two moods
The two wings leave visitors with strikingly different impressions. In Tamnak Yai, the main marble staircase carries the same kind of grandeur found in the Boromphiman Throne Hall of the Grand Palace — sweeping curves, gleaming marble and a sheer sense of scale that speaks to its Baroque roots. It’s no surprise that this staircase is acclaimed as one of Bangkok’s finest, and it’s easily the most photographed spot in the mansion, an Instagram highlight for every visitor who passes through. Crowning it all is a stunning, massive bronze chandelier.
The ceiling above the staircase is just as striking, showcasing the best of Baroque and Rococo craftsmanship. On the ground floor, Tamnak Yai’s two reception rooms are still in use today for the Bank of Thailand’s official meetings and contract signings.
On the second floor, the Pink Room is the finest and most important space in the palace, comparable to a throne hall in its own right. Stucco work frames the oval light wells above the doors and lines the walls; curved columns and gilded motifs on the carved wooden door panels echo Baroque architecture, while the ceiling motifs lean towards neoclassical.
The room holds precious memories for its former owner and remains reserved today for welcoming monarchs — including the late Queen Elizabeth II — heads of state and the central bank’s VIP guests.
Visitors can piece together fragments of history from the artefacts in each room. In the Pink Room, two important paintings are not to be missed: King Rama V with Prince Paribatra Sukhumbhand, by leading Thai portrait artist Warawoot Chusangthong, and a portrait of Princess Suddha Dibyaratana (Krom Luang Ratanakosindra), King Rama V’s highest-ranking daughter, renowned in her time for her beauty and knowledge. The painting of the Princess is by Chakrabhand Posayakit.
Next door is the Blue Room — though visitors today would call it green, since what Thais once called “blue” was a different shade of the colour. It now displays old photographs of royal visitors.
Across from the Pink and Blue Rooms is the Paribatra Room, home to a life-size wax statue of the prince in his marshal-admiral’s uniform. This exhibition space traces his life and work from the late years of King Rama V through the reign of King Rama VII, with personal belongings on display: apparel, hats, pipes, letters, books, old photographs, Chinese-style paintings, and even a model warplane.
Look closely and this room tells a bigger story than just the prince’s — it's a window into Siam itself. Though the prince was drawn to art and music, he had little choice but to follow military studies, as King Rama V required all princes to do amid growing Western influence. Many visitors leave this room wanting to read more about his life, and Siam’s, in that era.
Pink Room - the most beautiful room of Tamnak Yai.
From royal residence to Central Bank
The history within these walls is as dramatic as the architecture. After the 1932 revolution, the palace passed from royal residence to a series of government offices, eventually becoming the headquarters of the Bank of Thailand in 1945. A quiet sadness lingers here too — the story of the prince’s abrupt departure from the palace, which often sends visitors seeking out more: his later years, or a visit to Preseban palace and Dahapati palace in Bandung city, Indonesia where he and his family lived out his final days in exile.
When the bank first took over the property, it looked nothing like what visitors see today. The restoration drew on extensive research and the recollections of former palace staff — even the famous Pink Room, it turns out, wasn’t originally pink at all.
Today, the palace stands as a point of pride for both the nation and the bank. Walking across polished teak floors beneath crystal chandeliers, visitors also stop at the BOT’s Learning Center to trace the history of Thai currency, from ancient bullet coins to rare banknotes.
The main marble staircase carries the same kind of grandeur found in the Boromphiman Throne Hall of the Grand Palace.
If you want to go: the strategy
Admission is free, but demand has hit an all-time high post-renovation — you cannot simply show up. You need a plan. Bookings open on the website 7 days before each round.
Where to book: Through the official Bank of Thailand Learning Center
website: services.botlc.or.th/PhysicalDistancing/Register/BangKhunphromPalace
The schedule: Open Saturdays and Sundays only (two rounds at 10.30am and 2.30pm), each batch capped at 60 people.
The rules: This is a government and royal site. Bring physical ID, and make sure shoulders and knees are covered.
If you click fast enough to secure a slot, you’ll get to experience a side of Bangkok most locals never see: a silent, opulent sanctuary tucked quietly behind the walls of modern finance.
Special thanks to the Faculty of Painting, Sculpture and Graphic Arts, Christie’s Auction Thailand, and the Bank of Thailand.
Photo by Veena Thoopkrajae
